CULTURE
When the King Saved God
An unbeliever argues that our language and culture are incomplete without a 400-year-old book—the King James translation of the Bible. Spurned by the Establishment, it really represents a triumph for rebellion and dissent. Accept no substitutes!
BY CHRISTOPHER HITCHENS
MAY 2011
BIBLICAL PROPORTION The title page of the New Testament in the first edition of the King James Bible, published by Robert Barker (“Printer to the King’s most Excellent Maiestie”) in 1611.
After she was elected the first female governor of Texas, in 1924, and got herself promptly embroiled in an argument about whether Spanish should be used in Lone Star schools, it is possible that Miriam A. “Ma” Ferguson did not say, “If the King’s English was good enough for Jesus Christ, it’s good enough for the children of Texas.” I still rather hope that she did. But then, verification of quotations and sources is a tricky and sensitive thing. Abraham Lincoln lay dying in a room full of educated and literate men, in the age of the wireless telegraph, and not far from the offices of several newspapers, and we still do not know for sure, at the moment when his great pulse ceased to beat, whether his secretary of war, Edwin Stanton, said, “Now he belongs to the ages” or “Now he belongs to the angels.”
Such questions of authenticity become even more fraught when they involve the word itself becoming flesh; the fulfillment of prophecy; the witnessing of miracles; the detection of the finger of God. Guesswork and approximation will not do: the resurrection cannot be half true or questionably attested. For the first 1,500 years of the Christian epoch, this problem of “authority,” in both senses of that term, was solved by having the divine mandate wrapped up in languages that the majority of the congregation could not understand, and by having it presented to them by a special caste or class who alone possessed the mystery of celestial decoding.
Four hundred years ago, just as William Shakespeare was reaching the height of his powers and showing the new scope and variety of the English language, and just as “England” itself was becoming more of a nation-state and less an offshore dependency of Europe, an extraordinary committee of clergymen and scholars completed the task of rendering the Old and New Testaments into English, and claimed that the result was the “Authorized” or “King James” version. This was a fairly conservative attempt to stabilize the Crown and the kingdom, heal the breach between competing English and Scottish Christian sects, and bind the majesty of the King to his devout people. “The powers that be,” it had Saint Paul saying in his Epistle to the Romans, “are ordained of God.” This and other phrasings, not all of them so authoritarian and conformist, continue to echo in our language: “When I was a child, I spake as a child”; “Eat, drink, and be merry”; “From strength to strength”; “Grind the faces of the poor”; “salt of the earth”; “Our Father, which art in heaven.” It’s near impossible to imagine our idiom and vernacular, let alone our liturgy, without them. Not many committees in history have come up with such crystalline prose.
King James I, who brought the throne of Scotland along with him, was the son of Mary, Queen of Scots, and knew that his predecessor, Queen Elizabeth I, had been his mother’s executioner. In Scotland, he had had to contend with extreme Puritans who were suspicious of monarchy and hated all Catholics. In England, he was faced with worldly bishops who were hostile to Puritans and jealous of their own privileges. Optimism, prosperity, and culture struck one note—Henry Hudson was setting off to the Northwest Passage, and Shakespeare’s Globe Theater was drawing thoughtful crowds to see those dramas of power and legitimacy Othello, King Lear, and The Tempest—but terror and insecurity kept pace. Guy Fawkes and his fellow plotters, believed to be in league with the Pope, nearly succeeded in blowing up Parliament in 1605. Much of London was stricken with visitations of the bubonic plague, which, as Bishop Lancelot Andrewes (head of the committee of translators) noted with unease, appeared to strike the godly quite as often as it smote the sinner. The need was for a tempered version of God’s word that engendered compromise and a sense of protection.
Bishop Andrewes and his colleagues, a mixture of clergymen and classicists, were charged with revisiting the original Hebrew and Greek editions of the Old and New Testaments, along with the fragments of Aramaic that had found their way into the text. Understanding that their task was a patriotic and “nation-building” one (and impressed by the nascent idea of English Manifest Destiny, whereby the English people had replaced the Hebrews as God’s chosen), whenever they could translate any ancient word for “people” or “tribe” as “nation,” they elected to do so. The term appears 454 times in this confident form of “the King’s English.” Meeting in Oxford and Cambridge college libraries for the most part, they often kept their notes in Latin. Their conservative and consensual project was politically short-lived: in a few years the land was to be convulsed with civil war, and the Puritan and parliamentary forces under Oliver Cromwell would sweep the head of King Charles I from his shoulders. But the translators’ legacy remains, and it is paradoxically a revolutionary one, as well as a giant step in the maturing of English literature.
Imagining the most extreme form of totalitarianism in his Nineteen Eighty-Four dystopia, George Orwell depicted a secret class of occult power holders (the Inner Party clustered around Big Brother) that would cement its eternal authority by recasting the entire language. In the tongue of “Newspeak,” certain concepts of liberty and conscience would be literally impossible to formulate. And only within the most restricted circles of the regime would certain heretical texts, like Emmanuel Goldstein’s manifesto, still be legible and available. I believe that Orwell, a strong admirer of the Protestant Reformation and the poetry of its hero John Milton, was using as his original allegory the long struggle of English dissenters to have the Bible made available in a language that the people could read.
Until the early middle years of the 16th century, when King Henry VIII began to quarrel with Rome about the dialectics of divorce and decapitation, a short and swift route to torture and death was the attempt to print the Bible in English. It’s a long and stirring story, and its crux is the head-to-head battle between Sir Thomas More and William Tyndale (whose name in early life, I am proud to say, was William Hychyns). Their combat fully merits the term “fundamental.” Infuriating More, Tyndale whenever possible was loyal to the Protestant spirit by correctly translating the word ecclesia to mean “the congregation” as an autonomous body, rather than “the church” as a sacrosanct institution above human law. In English churches, state-selected priests would merely incant the liturgy. Upon hearing the words “Hoc” and “corpus” (in the “For this is my body” passage), newly literate and impatient artisans in the pews would mockingly whisper, “Hocus-pocus,” finding a tough slang term for the religious obfuscation at which they were beginning to chafe. The cold and righteous More, backed by his “Big Brother” the Pope and leading an inner party of spies and inquisitors, watched the Channel ports for smugglers risking everything to import sheets produced by Tyndale, who was forced to do his translating and printing from exile. The rack and the rope were not stinted with dissenters, and eventually Tyndale himself was tracked down, strangled, and publicly burned. (Hilary Mantel’s masterpiece historical novel, Wolf Hall, tells this exciting and gruesome story in such a way as to revise the shining image of “Saint” Thomas More, the “man for all seasons,” almost out of existence. High time, in my view. The martyrdoms he inflicted upon others were more cruel and irrational than the one he sought and found for himself.)
Other translations into other languages, by Martin Luther himself, among others, slowly entered circulation. One of them, the so-called Geneva Bible, was a more Calvinist and Puritan English version than the book that King James commissioned, and was the edition which the Pilgrim Fathers, fleeing the cultural and religious war altogether, took with them to Plymouth Rock. Thus Governor Ma Ferguson was right in one respect: America was the first and only Christian society that could take an English Bible for granted, and never had to struggle for a popular translation of “the good book.” The question, rather, became that of exactly which English version was to be accepted as the correct one. After many false starts and unsatisfactory printings, back in England, the Anglican conclave in 1611 adopted William Tyndale’s beautiful rendering almost wholesale, and out of their zeal for compromise and stability ironically made a posthumous hero out of one of the greatest literary dissidents and subversives who ever lived.
Writing about his own fascination with cadence and rhythm in Notes of a Native Son, James Baldwin said, “I hazard that the King James Bible, the rhetoric of the store-front church, something ironic and violent and perpetually understated in Negro speech … have something to do with me today; but I wouldn’t stake my life on it.” As a child of the black pulpit and chronicler of the Bible’s huge role in the American oral tradition, Baldwin probably was “understating” at that very moment. And, as he very well knew, there had been times when biblical verses did involve, quite literally, the staking of one’s life. This is why the nuances and details of translation were (and still are) of such huge moment. For example, in Isaiah 7:14 it is stated that, “behold, a virgin shall conceive, and bear a son, and shall call his name Immanuel.” This is the scriptural warrant and prophecy for the impregnation of the Virgin Mary by the Holy Ghost. But the original Hebrew wording refers only to the pregnancy of an almah, or young woman. If the Hebrew language wants to identify virginity, it has other terms in which to do so. The implications are not merely textual. To translate is also to interpret; or, indeed, to lay down the law. (Incidentally, the American “Revised Standard Version” of 1952 replaced the word “virgin” with “young woman.” It took the Fundamentalists until 1978 to restore the original misreading, in the now dominant “New International Version.”)
Take an even more momentous example, cited by Adam Nicolson in his very fine book on the process, God’s Secretaries. In the First Epistle to the Corinthians, Saint Paul reminds his readers of the fate that befell many backsliding pre-Christian Jews. He describes their dreadful punishments as having “happened unto them for ensamples,” which in 1611 was a plain way of conveying the word “example” or “illustrative instance,” or perhaps “lesson.” However, the original Greek term was typoi, which by contrast may be rendered as “types” or “archetypes” and suggests that Jews were to be eternally punished for their special traits. This had been Saint Augustine’s harsh reading, followed by successive Roman Catholic editions. At least one of King James’s translators wanted to impose that same collective punishment on the people of Moses, but was overruled. In the main existing text, the lenient word “ensamples” is given, with a marginal note in the original editions saying that “types” may also be meant. The English spirit of compromise at its best.
Then there are seemingly small but vital matters of emphasis, in which Tyndale did not win every round. Here is a famous verse which one might say was central to Christian teaching: “This is my Commandment, that you love one another, as I have loved you. / Greater love hath no man than this, that a man lay down his life for his friends.” That’s the King James version, which has echoed in the heads of many churchgoers until their last hour. Here is how the verse read when first translated by Tyndale: “This is my Commandment, that you love together as I have loved you. / Greater love than this hath no man, than that a man bestow his life for his friends.”
I do not find that the “King’s English” team improved much on the lovely simplicity of what they found. Tyndale has Jesus groping rather appealingly to make a general precept or principle out of a common bond, whereas the bishops and scholars are aiming to make an iron law out of love. In doing so they suggest strenuous martyrdom (“lay down,” as if Jesus had been a sacrifice to his immediate circle only). Far more human and attractive, surely, is Tyndale’s warm “bestow,” which suggests that a life devoted to friendship is a noble thing in itself.
Tyndale, incidentally, was generally good on the love question. Take that same Epistle of Paul to the Corinthians, a few chapters later. For years, I would listen to it in chapel and wonder how an insipid, neuter word like “charity” could have gained such moral prestige. The King James version enjoins us that “now abideth faith, hope and charity, these three; but the greatest of these is charity.” Tyndale had put “love” throughout, and even if your Greek is as poor as mine you will have to admit that it is a greatly superior capture of the meaning of that all-important original word agape. It was actually the frigid clerical bureaucrat Thomas More who had made this into one of the many disputations between himself and Tyndale, and in opting to accept his ruling it seems as if King James’s committee also hoped to damp down the risky, ardent spontaneity of unconditional love and replace it with an idea of stern duty. Does not the notion of compulsory love, in any form, have something grotesque and fanatical about it?
Most recent English translations have finally dropped More and the King and gone with Tyndale on this central question, but often at the cost of making “love” appear too husky and sentimental. Thus the “Good News Bible” for American churches, first published in 1966: “Love never gives up; and its faith, hope and patience never fail.” This doesn’t read at all like the outcome of a struggle to discern the essential meaning of what is perhaps our most numinous word. It more resembles a smiley-face Dale Carnegie reassurance. And, as with everything else that’s designed to be instant, modern, and “accessible,” it goes out of date (and out of time) faster than Wisconsin cheddar.
Though I am sometimes reluctant to admit it, there really is something “timeless” in the Tyndale/King James synthesis. For generations, it provided a common stock of references and allusions, rivaled only by Shakespeare in this respect. It resounded in the minds and memories of literate people, as well as of those who acquired it only by listening. From the stricken beach of Dunkirk in 1940, faced with a devil’s choice between annihilation and surrender, a British officer sent a cable back home. It contained the three words “but if not … ” All of those who received it were at once aware of what it signified. In the Book of Daniel, the Babylonian tyrant Nebuchadnezzar tells the three Jewish heretics Shadrach, Meshach, and Abednego that if they refuse to bow to his sacred idol they will be flung into a “burning fiery furnace.” They made him an answer: “If it be so, our god whom we serve is able to deliver us from the burning fiery furnace, and he will deliver us out of thy hand, o King. / But if not, be it known unto thee, o king, that we will not serve thy gods, nor worship the golden image which thou hast set up.”
A culture that does not possess this common store of image and allegory will be a perilously thin one. To seek restlessly to update it or make it “relevant” is to miss the point, like yearning for a hip-hop Shakespeare. “Man is born unto trouble as the sparks fly upward,” says the Book of Job. Want to try to improve that for Twitter? And so bleak and spare and fatalistic—almost non-religious—are the closing verses of Ecclesiastes that they were read at the Church of England funeral service the unbeliever George Orwell had requested in his will: “Also when they shall be afraid of that which is high, and fears shall be in the way, and the almond tree shall flourish, and the grasshopper shall be a burden, and desire shall fail: because man goeth to his long home. … Or ever the silver cord be loosed, or the golden bowl be broken, or the pitcher be broken at the fountain, or the wheel broken at the cistern. / Then shall the dust return to the earth as it was.”
At my father’s funeral I chose to read a similarly non-sermonizing part of the New Testament, this time an injunction from Saint Paul’s Epistle to the Philippians: “Finally, brethren, whatsoever things are true, whatsoever things are honest, whatsoever things are just, whatsoever things are pure, whatsoever things are lovely, whatsoever things are of good report; if there be any virtue, and if there be any praise, think on these things.”
As much philosophical as spiritual, with its conditional and speculative “ifs” and its closing advice—always italicized in my mind since first I heard it—to think and reflect on such matters: this passage was the labor of men who had wrought deeply with ideas and concepts. I now pluck down from my shelf the American Bible Society’s “Contemporary English Version,” which I picked up at an evangelical “Promise Keepers” rally on the Mall in Washington in 1997. Claiming to be faithful to the spirit of the King James translation, it keeps its promise in this way: “Finally, my friends, keep your minds on whatever is true, pure, right, holy, friendly and proper. Don’t ever stop thinking about what is truly worthwhile and worthy of praise.”
Pancake-flat: suited perhaps to a basement meeting of A.A., these words could not hope to penetrate the torpid, resistant fog in the mind of a 16-year-old boy, as their original had done for me. There’s perhaps a slightly ingratiating obeisance to gender neutrality in the substitution of “my friends” for “brethren,” but to suggest that Saint Paul, of all people, was gender-neutral is to re-write the history as well as to rinse out the prose. When the Church of England effectively dropped King James, in the 1960s, and issued what would become the “New English Bible,” T. S. Eliot commented that the result was astonishing “in its combination of the vulgar, the trivial and the pedantic.” (Not surprising from the author of For Lancelot Andrewes.) This has been true of every other stilted, patronizing, literal-minded attempt to shift the translation’s emphasis from plangent poetry to utilitarian prose.
T. S. Eliot left America (and his annoyingly colorless Unitarian family) to seek the traditionalist roots of liturgical and literary tradition in England. Coming in the opposite direction across the broad Atlantic, the King James Bible slowly overhauled and overtook the Geneva version, and, as the Pilgrim-type mini-theocracies of New England withered away, became one of the very few books from which almost any American could quote something. Paradoxically, this made it easy to counterfeit. When Joseph Smith began to fabricate his Book of Mormon, in the late 1820s, “translating” it from no known language, his copy of King James was never far from his side. He plagiarized 27,000 words more or less straight from the original, including several biblical stories lifted almost in their entirety, and the throat-clearing but vaguely impressive phrase “and it came to pass” is used at least 2,000 times. Such “borrowing” was a way of lending much-needed “tone” to the racket. Not long afterward, William Miller excited gigantic crowds with the news that the Second Coming of Jesus would occur in 1843. An associate followed up with an 1844 due date. These disappointed prophecies were worked out from marginal notes in Miller’s copy of the King James edition, which he quarried for apocalyptic evidence. (There had always been those, from the earliest days, when it was being decided which parts of the Bible were divinely inspired and which were not, who had striven to leave out the Book of Revelation. Martin Luther himself declined to believe that it was the work of the Holy Spirit. But there Christianity still is, well and truly stuck with it.) So, of the many Christian heresies which were born in the New World and not imported from Europe, at least three—the Mormons, or Latter-Day Saints; the Millerites, or Seventh-Day Adventists; and their schismatic product the Jehovah’s Witnesses—are indirectly mutated from a pious attempt to bring religious consensus to Jacobean England.
Not to over-prize consensus, it does possess certain advantages over randomness and chaos. Since the appearance of the so-called “Good News Bible,” there have been no fewer than 48 English translations published in the United States. And the rate shows no sign of slackening. Indeed, the trend today is toward what the trade calls “niche Bibles.” These include the “Couples Bible,” “One Year New Testament for Busy Moms,” “Extreme Teen Study Bible,” “Policeman’s Bible,” and—somehow unavoidably—the “Celebrate Recovery Bible.” (Give them credit for one thing: the biblical sales force knows how to “be fruitful and multiply.”) In this cut-price spiritual cafeteria, interest groups and even individuals can have their own customized version of God’s word. But there will no longer be a culture of the kind which instantly recognized what Lincoln meant when he spoke of “a house divided.” The gradual eclipse of a single structure has led, not to a new clarity, but to a new Babel.
Those who opposed the translation of the Bible into the vernacular—rather like those Catholics who wish the Mass were still recited in Latin, or those Muslims who regard it as profane to render the Koran out of Arabic—were afraid that the mystic potency of incantation and ritual would be lost, and that daylight would be let in upon magic. They also feared that if God’s word became too everyday and commonplace it would become less impressive, or less able to inspire awe. But the reverse turns out to have been the case, at least in this instance. The Tyndale/King James translation, even if all its copies were to be burned, would still live on in our language through its transmission by way of Shakespeare and Milton and Bunyan and Coleridge, and also by way of beloved popular idioms such as “fatted calf” and “pearls before swine.” It turned out to be rather more than the sum of its ancient predecessors, as well as a repository and edifice of language which towers above its successors. Its abandonment by the Church of England establishment, which hoped to refill its churches and ended up denuding them, is yet another demonstration that religion is man-made, with inky human fingerprints all over its supposedly inspired and unalterable texts. Ma Ferguson was right in her way. She just didn’t know how many Englishmen and how many Englishes, and how many Jesus stories and Jesuses, there were to choose from.
